Recent Posts

Pages: [1] 2 3 4 5 6 7 8 ... 10
1
General Discussion / Re: *SPOILER THREAD* Star Wars: The Last Jedi
« Last post by Luis Dias on January 19, 2018, 10:27:15 am »
Abrams set up the plot devices, that's true. But to say they are unresolvable or unworkable is not - Johnson just gave up in trying or working around them. But I think that's going to be bad from the point of view of his customer (who likely is only now starting to realize what's happened), and any explanation for at least some of the points would have been received better by the general audience than just ending them up. It's Johnson's decisions that make the movie look like a mess, and I've already said several times that the story line was still recoverable at the beginning of TLJ. It's certainly not that any more. I personally didn't think TFA was a particularly good movie, left me with the feeling alright, I see what you're doing but let's see where you headed next. Pretty much the only reason I came to see TLJ were the plot hooks and the old cast. There's no reason to see Episode 9 any longer.

I sympathise with the feeling, just not the reason given in the first few sentences. It's not that they are "unresolvable" or "unworkable", it's that they were **** and correctly dismissed. For all the faults in TLJ, I actually admire what it set out to do with what it came before it. To me, that's the strenght of the movie, not its "downfall" or whatever.

But I do sympathise with the general feeling that there's very "little" to go on from here, I just don't agree with it. When the new trailers for IX come out, everyone's going to be incredibly psyched to know more and see it. Again.


Quote
What I did was providing an alternate explanation for why the movie is a mess also from the cutting perspective. That's because the director has allowed all sorts of ideas to be included in his vision. I find it hard to believe the Canto Bight animal rights (ignoring slave kids) is particularly Johnson's idea, or the Porgs in the Millennium Falcon. Or Chewbacca going vegan in a particularly jarring scene that NO bird actually does. These are likely coming directly from Disney.

I disagree completely with you here. It's obvious what the Finn / Rosie arc is about, i.e., establishing the real difference between the light (rebels / resistance) and dark (empire / first order), after mudding up the waters with a story on how "everyone's the same **** anyway". It got sidetracked by a lot of little irrelevant plot twists and mini arcs that distracted and subtracted from that main point, which would have been very poignant for Finn, especially. I'd be more ready to blame Disney for that Phasma last encounter than the whole casino arc.

The Porgs were already discussed about. These were very clever work arounds over a proteced species that they couldn't move or touch while filming in a protected island. They are cute and fun, and whomever is against them has terrible taste, it's scientific fact.

Quote
The point is, until you have worked under a weak director, you don't see through the signs of him mishandling stuff. With Johnson here, I'm seeing enough inconsistency that could indicate he isn't a particularly visionary guy and is instead a yes-man, so I'm saying it out. You are right to criticize that, since I can't provide direct evidence. But it's risk I'm willing to accept.

There's some truth to this, namely that he couldn't manage all the little things that went into the movie in a more coherent, satisfying whole. This is no argument to whether if the guy has a "vision" or not. Those are absolutely separate things!

Quote
Here I disagree. The only person who changed was Luke, and that's... let's say just a story of its own. Disclaimer: I don't see death as a particularly good character development. I mean sure, it's something new, but also a bit... abrupt.

It's also traditional in Star Wars so wtf are you banging about here. Poe goes through character development, hell even Finn goes through one, trying to flee at the beggining, learning why he's fighting, and then at the end learning that he's not here just to fight, etc. Kylo Ren goes through the hell of an arc, why would anyone ignore this is beyond me, and Rey herself learns to go on despite knowing she's a nobody.

And here you are, denying all of this. It's like you failed to watch the movie itself.

Quote
Also, found this gem from the depths of the internjet

Quote
Episode XI Attack of the Orphans

Is any of that supposed to be funny, other than to mock the whole anti-fem cottage industry lack of humour?

I get it, crybabies despise Star Wars because it was "feminist propaganda". No ****, I've just listened to one of these crybabies telling me that TFA amped up all of their women, "even Leia is a general now". Everything they say is stupid like that. I miss the good ol days back at TFA's release when that kind of crap was laughed out of our conversation very swiftly. Now, it's "fashionable". **** these morons.

2
The Modding Workshop / Re: What are you working on?
« Last post by PVD_Hope on January 19, 2018, 10:19:15 am »
Quote
Thank you! Whatever I do here is just a part of my overall work. I share my modelling time between HLP, 2 gaming projects and sometimes other commissions. If I have a break from work, I execute my will to bring you folks the best stuff I can make for usage in potential projects. In short: I love modelling, I hate idling and I hate wasting time.

...and no. I actually do have social life :P

I just wish I was that productive.  :p

But hey, you're doing what you do best. Thanks for making awesome community stuff!

EDIT: Incidentally, are you allowed to tell me what gaming projects you're doing modelling work for? I'd totally like to see your work for other projects.
3
General Discussion / Re: *SPOILER THREAD* Star Wars: The Last Jedi
« Last post by Lorric on January 19, 2018, 10:10:40 am »
Quote
Millennial Falcon
:lol:
4
General Discussion / Re: *SPOILER THREAD* Star Wars: The Last Jedi
« Last post by The E on January 19, 2018, 10:04:51 am »
Let's see, what was the character development for the main cast.

Rey: learns that being a Jedi doesn't mean being a Jedi fangirl. That she has to make her own decisions and her own name and that she can't rely on Luke or her parents to make her important in the grand scheme of things.

Finn: has to come to terms with being a part of the resistance and that looking out for yourself and your loved ones exclusively is not enough, not in the face of something like the Empire.

Poe: learns that heroics have their place, but not when they lead to pyrrhic victories.

That's just the heroes, of course. Kylo Ren also has his own arc, and in every case, these characters make decisions over the course of the film that they wouldn't have been able to make at the film's start.

I am curious now, though. What do you think character development is, Mika?
5
General Discussion / Re: What animes/series are you watching right now?
« Last post by Luis Dias on January 19, 2018, 09:53:03 am »
Loved Devilman Crybaby, 8/10. Ends less brilliantly than the first and second sections, but still very very interesting.

Also really enjoyed the first season of psycho pass. Really recommend it, at least 7/10.
6
General Discussion / Re: *SPOILER THREAD* Star Wars: The Last Jedi
« Last post by karajorma on January 19, 2018, 08:36:32 am »
Are you calling me out on being also a Star Wars fan? No, I haven't spend a single second thinking who Snoke and Rey were between TFA and TLJ, I really do have other stuff to do.

And yet you've posted answer upon answer on this page trying to blame Rian Johnson for JJ Abrams faults? Perhaps thinking about who Snoke and Rey were would have been a better use of your time.

Quote
What do you mean by "unsolvable puzzles"? If Johnson was going to ignore something, parts of those "unsolvable" puzzles would have been a far more safer option than ignoring the character development in the original trilogy.

Unsolvable in that there is no satisfying answer to them. I challenge you to come up with an answer for who Snoke is that would have added anything to film number 8. As for your continued claims of lack of character development, chanting it like a mantra does not make it true. The problem that people are complaining about in the film is that Luke's character developed in a direction they didn't like. If you're going to keep claiming that Luke's character didn't develop at all, then you're only proving that you have no idea what the words character development mean.
7
The FreeSpace Upgrade Project / Re: Cutscene Upgrade [RELEASE: EndGame (FS1)]
« Last post by X3N0-Life-Form on January 19, 2018, 08:07:01 am »
I think I've said this before, but I'll say it again : you are doing amazing work mjn.mixael.

Don't the cables look a little too thick?  :drevil:
*bang*
8
General Discussion / Re: *SPOILER THREAD* Star Wars: The Last Jedi
« Last post by Mika on January 19, 2018, 07:36:19 am »

So, on the one hand, we have JJ Abrams. A director who openly admits that he likes setting up mysteries, but isn't interested in resolving them.
On the other, we have Rian Johnson saying that JJ Abrams set up a bunch of mysteries with no resolution planned in advance.

And you're still saying that it's Johnson's fault?

Abrams set up the plot devices, that's true. But to say they are unresolvable or unworkable is not - Johnson just gave up in trying or working around them. But I think that's going to be bad from the point of view of his customer (who likely is only now starting to realize what's happened), and any explanation for at least some of the points would have been received better by the general audience than just ending them up. It's Johnson's decisions that make the movie look like a mess, and I've already said several times that the story line was still recoverable at the beginning of TLJ. It's certainly not that any more. I personally didn't think TFA was a particularly good movie, left me with the feeling alright, I see what you're doing but let's see where you headed next. Pretty much the only reason I came to see TLJ were the plot hooks and the old cast. There's no reason to see Episode 9 any longer.

Quote
Also, wow, you are really reaching here. Disney, after acquiring Marvel and their track record of building a universe using planning across multiple films and genres, has no idea how to structure a trilogy?

Ever heard of management level screw-ups such as Ratner effect and Osbourne effect? Or Elop effect that's both of them together? Remember that Marvel universe is already written and Disney hasn't changed much there. With Star Wars, well, EU and all that... Especially with a recent acquisition of Lucas Films, I really don't find it difficult to believe Disney insisted on making movies with a quicker pace and at the same time cancelled the EU stories. This leaves the first director hanging and also with not a lot of time to write any compelling backstories as you'll have to write the plot to the movie as well. That is how you end up recycling ANH. This is how I read what you said about Johnson's comment - he said no-body, which I took to include also Disney. Finding the article where he said that might make me think differently.

Quote
For all your talk about how successful you are at your company, please let me know which company that is so I can avoid having to deal with them in any way. A director being "difficult to work with" isn't an indicator of quality. Tommy Wiseau is really difficult, and the worst. Spielberg isn't, and makes really good movies. Is a manager who's difficult to work with automatically a good manager? No. Is a manager who's easy to work with a spineless pushover? No.

:lol:  :lol:  :lol:
That's just so brilliant that I may have to put that in a frame in my office!

You haven't been in a lot of company to company negotiations, have you? If you had, you'd probably know that what you are saying would break one of the earliest clauses in the mutual company to company or employer to employee contracts. And unlike certain directors, I honor my contracts and put my customer's advantage first. So how about a resounding NO?

What I did was providing an alternate explanation for why the movie is a mess also from the cutting perspective. That's because the director has allowed all sorts of ideas to be included in his vision. I find it hard to believe the Canto Bight animal rights (ignoring slave kids) is particularly Johnson's idea, or the Porgs in the Millennium Falcon. Or Chewbacca going vegan in a particularly jarring scene that NO bird actually does. These are likely coming directly from Disney.

The point is, until you have worked under a weak director, you don't see through the signs of him mishandling stuff. With Johnson here, I'm seeing enough inconsistency that could indicate he isn't a particularly visionary guy and is instead a yes-man, so I'm saying it out. You are right to criticize that, since I can't provide direct evidence. But it's risk I'm willing to accept.

Quote
Right. TLJ "fails to advance character development". In a movie that has all of its main cast go through substantial character development.

Here I disagree. The only person who changed was Luke, and that's... let's say just a story of its own. Disclaimer: I don't see death as a particularly good character development. I mean sure, it's something new, but also a bit... abrupt.

Basically a lot of people are pissed off that they spent ages trying to figure out who Rey and Snoke were and when they didn't get their answers they got mad at Rian Johnson rather than blaming the people who set the unsolvable puzzles in the first place. Mika's doing the exact same thing. 

Are you calling me out on being also a Star Wars fan? No, I haven't spend a single second thinking who Snoke and Rey were between TFA and TLJ, I really do have other stuff to do.

What do you mean by "unsolvable puzzles"? If Johnson was going to ignore something, parts of those "unsolvable" puzzles would have been a far more safer option than ignoring the character development in the original trilogy.

Also, found this gem from the depths of the internjet
Quote
Episode XI Attack of the Orphans

After space crawl explaining how the galaxy is on the verge of progressive enlightenment, the scene shifts to the Melenium Falcon drifting in space.

  • Inside the falcon, the remaining 10 members of the resistance are passing judgment on Chewbacca, who has been accused of an found guilty of killing and attempting to consume a sentient being. For his crime, Chewbacca is flushed into the vacuum of space. Unfortunately, he does not have the force to save him.
  • C3-PO and R2-D2 are the only two who object to the verdict and are immediately destroyed and used to construct a much needed second bathroom in the falcon (a quick vote also officially changes the name of the falcon the the "Millennial Falcon").
  • General Liea gives everyone remaining a participation trophy then quietly disappears down the hallway of ship, never to been seen again. (see I removed the last pieces of the saga in the first ten minutes)
  • Rey takes command and using her new godlike (excuse me, godess like) force powers, force projects the Millennial Falcon back to Jakku.
  • After arriving at Jakku, Rey renames the Resistance, Tolerance (with a upper T). Tolerance beings to enforce strong environmental regulations to combat global warming.
  • Soon after taking control of the planet, Rey finds Poe guilty of overly manly thoughts and must decide of getting a sex change, so he can better understand of plight of an oppressed female or Poe must work 25 years of hard labor in an environmental work camp. Poe chooses the latter.
  • Because of his status of a minority, Finn is allowed to remain with Tolerance but must never speak or have any thoughts of his own.
  • Rose realizes she is actually in love with Rey and only had feelings for Finn because of society peer pressure.
  • meanwhile Kylo is still stuck at the abandoned rebel base that Tolerance escaped from. Since the only female in the First Order was killed off, frustration mounds as all the white males remaining in the First Order do not have enough intelligence to figure out how to leave the planet.
  • Hex, in a sudden flash of brilliance, advises Kylo to order all remaining First Order personnel to refer to themselves as gender fluid.
  • After Kylo gives the order (known as order #metoto) he contacts Rey on Forcetime with news of his/her revelation. Delighted that Kylo has enlightened himself, Rey orders Uber for all First Order forces and they travel to Jakku to meet with Tolerance.
  • After Kylo and Rey meet at Jakku, force ghost Luke Skywalker appears to both of them. Luke wants to finally impart with final wisdom of the force to them.
  • Incensed by Luke's remark that he somehow can so a Millennial anything, Rey convicts Luke of white privilege and sentences him to imprisonment. In a shocking twist, and surprise cameo, the new ghostbusters appear and suck force ghost Luke into a trap and he his never seen again.
  • The movies ends with the entire remaining cast holding hands and singing "We Are the World" and dancing around a large fire pit with anything remotely Star Wars burning intensely.

The funny thing is, I could actually see myself paying money to see that :lol: Particularly the Ghost busters and Force Ghosts.  :lol:
9
General Discussion / Re: Star Trek Discovery -- This is the good ****
« Last post by Luis Dias on January 19, 2018, 06:50:21 am »
Everyone's suggesting captain Lorca is originally from the mirror universe. There's some problems with this line of thought because it's just too convenient plot-wise for this to be the case - the fact they got into the mirror universe cannot be blamed on Lorca without destroying the entire plot about the spores so far, and so the coincidence is just too much to bear - but I guess it makes sense tonally speaking.

I hope they don't make that move.

There are some very interesting questions going forward, like for instance, was MU Discovery also toying with the spores? What is dark Stamets' intentions? What did the emperor expect from Discovery?
10
General Discussion / Re: *SPOILER THREAD* Star Wars: The Last Jedi
« Last post by Luis Dias on January 19, 2018, 06:43:29 am »
The four-dimensional hall of dark side mirrors also telegraphed that reveal very well, I thought. It basically culminates in a classic JJ Abrams carrot-on-a-string manoeuvre, making it look like it chickened out of the reveal, but in fact it told you everything there is to know about Rey's parents right there.

and I have to agree with Bob with how funny it was that Luke was so ****ing scared of this place, when it only has a mirror.
Pages: [1] 2 3 4 5 6 7 8 ... 10