Hey Gortef!

I like the album, but I'm a little so so on osme parts. One thing I noticed straight off the bat was that Anette had a
lot of male backup - more so than any NW album in recent memory - I guess they didn't want to risk alienating people by putting her in the solo spot that Tarja occupied. Now, this isn't a weak spot per se, it's just different than the old Nightwish - in fact, I started to have a bit of trouble differentiating them from Epica, one of my other favorite bands - a lot of this is because Tarja had a very deep voice, and this set her apart from most other goth/opera metal bands - now that Anette has the higher tone, it's harder to say "This is obviously Nightwish"...which brings me to my next point. There was an odd fusing of techno into some of the songs, and the orchestra wasn't as grand as it was in Once. Now, I like techno in metal, but it doesn't seem very NW at all to me, so, I don't know. Speaking of metal, there were some songs that were heavier than most other Nightwish songs made recently, yet I also felt that there were too many ballads and slow songs on this track - and for the record, I
hated Meadows of Heaven - it just got way funky and ended up sounding like one of those jazz evangelical songs.
So did I like this album at all? FECK YES! Even though I seemed to diss a lot of it, the album comes with several REALLY strong tracks - Bye Bye Beautiful and Saraha being my top favs. It's also quite a different direction for Nightwish to take, and while I miss Tarja, I do like how the rest of the band is being incorporated into the music, and some of the tracks are just very metal because of the male backup. The album is definitely worth a try for every Nightwish fan, or a fan of that sort of metal at all - it does take some getting used to, and it does have it's flaws, but it's still a strong showing for a singer that has some huge shoes to fill.