Nix, I'm getting certain that you're either a plantjob or a rabid worshipper of consumer culture/corporate state.
With the rapid expansion of FLAC and other lossless codecs (which I fing utterly needless except for archival purposes, as the loss on correctly (high/variable bitrate) encoded lossy codecs is nowhere near as serious as some claim to be even for the most keen eared audiophile) as well as broadband, I see no reason why pirated media should be inferiour.
Before you get into it, no even video is usually high quality, on par with the DVD it was ripped from.
The main problem of today's publishers is twofold: so far they could pretty much dictate the prices as they practically "OWN" the artists (don't believe me? Check some of their contracts), second they use an outdated distribution method. The net can get the media to an insane number of consumers, for a negiligible cost to boot.
They can play their crusade for the "rights" of literary property on as long as the bulk of the artist are in their deathgrip - once new publishers spring up, who will deal on line (which isn't that hard to do, compared to hard trade) they will go down along with their business model.
This means media will be cheaper to purchase, and the artitst will get their fair share too.
For you media moguls out there I have a tip: make the change yourself, you sure have the capita to invest with the profit margins as is. (Unless you're runnign a myriad lawsuits, and fight the inevitable.)