Author Topic: Sad Puppies are sad, not canine.  (Read 47173 times)

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Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
Meh, that's just politicking from where I look. IOW, political shunning. You might want to call it something else in order, IDK, to sleep better at night?, but all I see is political dynamics at play here. Also, from what I read, most of his own radicalization is also a result, a product of the politically correct atmosphere that he tries to trollishly shock and antagonize. Reading his old material, it's obvious he wasn't as rabid as he is now.

 
Re: Sad Puppies are sad, not canine.
Replace "Jasmine" in Vox Day's quote with ANY member here on the forums and pretend he is a forum member. Would you think they last long?
« Last Edit: August 25, 2015, 10:00:02 am by -Joshua- »

 

Offline The E

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Re: Sad Puppies are sad, not canine.
You better revise that post into something that isn't immediately banworthy then. All good now.
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Re: Sad Puppies are sad, not canine.
Yeah, alright, it's just... uggh.

Vox Day would call this censorship I'm sure. But that is where he would be wrong, and I apologize for trying to emulate him just to prove a point.

 

Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
I think I'm not the one here being confused about what "politics" means. It doesn't mean "sophisticated opinion about things". It's entirely about the relationship between people, social values, norms, etc. It does include basic bigotry as perfectly illustrated by your example (The_E, FWIW you don't have to worry about me, I totally get his point is about giving an example of VoxThink, not actually being bigoted against me by proxy or by any sleazy under the table manner trolling, etc.)

 
Re: Sad Puppies are sad, not canine.
Can you answer the rephrased question, please?  :)

 

Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
Why does the answer to that question have any bearing whatsoever to the current situation down at the Hugos?

I don't like Vox Day. There are many quotes that I just close my eyes and utter to myself "there he goes... f hell". It matters not one iota regarding the values of the works his slate (or others) put to vote in the Hugos, even if it were *his* works.

This all reminds me all too well of all the anti Orson Scott Card shenanigan. I think the problem is due to the "world a village" syndrome. We get to know too much of everyone else nowadays. It didn't use to be like that. Thankfully, because then we wouldn't have the works of Lovecraft to enjoy, or the songs of Presley to please. Or etc.

 

Offline NGTM-1R

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Re: Sad Puppies are sad, not canine.
@NGTM, look, I admit to some rethorical flamboyance, but more than half of that was not to expose my own thoughts, but theirs. I do think there's an attempt to curb the entire landscape of imagination. When I used the word censorial it was on a rethorical small jab, referring to the actual censorship that happened with all those No Awards given. But my wider thoughts don't go to the usage of mere censorship, but rather on the shift of the perceived possible imaginations by everyone, something like the Overton Window. You don't need any office for censorship to influence that.

If you want things to stay as they are, you know that's not going to happen. Things change; tastes change. Right now they're changing left. It sucks you don't like that, I suppose, but you're trying to argue the process is somehow unnatural and dangerous, and there's nothing aside from your bald assertion to prove it. Nobody's getting choked out by ninja awards squads in the night. Right-wingers can still publish and they aren't exactly hard to find. (Oh John Ringo No! and all that.) They don't turn up at the Hugos as awardwinners. That's interesting, but it's not necessarily indicative of any kind of problem either with the Hugos or at large. (As I've said before, it may simply speak to the demographics of the fandom or the demographics of the writers or both.)

If you think that the No Awards were censorship, you also still don't understand what censorship is. People had a choice and they chose against. Censorship requires them to be not allowed to choose. Learn the difference.
« Last Edit: August 25, 2015, 11:11:07 am by NGTM-1R »
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Re: Sad Puppies are sad, not canine.
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Why does the answer to that question have any bearing whatsoever to the current situation down at the Hugos?

Well, for one, he's responsible for the current situation down at the Hugos.

 

Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
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Why does the answer to that question have any bearing whatsoever to the current situation down at the Hugos?

Well, for one, he's responsible for the current situation down at the Hugos.

I don't think you understood my question (your answer is tautological). Read it up again.

If you want things to stay as they are, you know that's not going to happen. Things change; tastes change. Right now they're changing left. It sucks you don't like that, I suppose, but you're trying to argue the process is somehow unnatural and dangerous, and there's nothing aside from your bald assertion to prove it.

Metaphysical discussions of what is "natural" or not aside (vs what, supernatural?), there are some wrong things said here. First, past performance is barely an indicative of the future. Yes, it does have *some* predictive value, but it is by far a very weak one (black swans abound, the fate of the turkey, etc., etc.). Second, the "process" of it being towards Left is not dangerous at all. I actually, and contrary to your assertions, don't mind it at all. What I don't like is how these things are conflated: Ctuluh going Left is not equal to Ctuhluh inevitably going Left, which is itself not equal to the homogeneity of only imagining Ctuhluh going Left. All these three are different between each other, and for the current topic, I'm interested in the latter point, because it's about imagination. You know, fiction.

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Nobody's getting choked out by ninja awards squads in the night. Right-wingers can still publish and they aren't exactly hard to find. (Oh John Ringo No! and all that.) They don't turn up at the Hugos as awardwinners. That's interesting, but it's not necessarily indicative of any kind of problem either with the Hugos or at large.

There's not a "necessary" here. There's an "obviously", but you refrain to admit it I don't even have the curiosity to know why. I really don't care. You keep pushing this idea that proposing that a clique group is getting hold of a prestigious award and slanting it towards a particular ideological direction is tantamount to proposing that what is going on is bookstore censorship, etc. There's a name for that fallacy and you know it. Stop doing it.

(Seriously, if you keep doing it, I'll just ignore you henceforth, it's more than tiresome, it's boring)

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If you think that the No Awards were censorship, you also still don't understand what censorship is. People had a choice and they chose against. Censorship requires them to be not allowed to choose. Learn the difference.

Jesus Christ, you take everything literally don't you? Even rethorical sentences.

 
Re: Sad Puppies are sad, not canine.
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Why does the answer to that question have any bearing whatsoever to the current situation down at the Hugos?

Well, for one, he's responsible for the current situation down at the Hugos.

I don't think you understood my question (your answer is tautological). Read it up again.

Oh that way, well. You argue that Vox Day's viewpoints are some sort of sacred political thing, whilst I'd argue that they are deeply personal attacks dressed up as "political arguments" in order to score points with the "Anti-censorship" and "Politics are more important then human beings" crowds. I am curious if, would Vox Day come on this forum and say the things he said about an SFF writer to a forum member as the subject, you'd support him not being banned.

Or, to make it shorter, do you consider "politics" to be more important then basic empathy.

 

Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
Where did I state his politics are sacred? I stated they should be irrelevant, which is an entirely different position. That many people won't be able to separate the author to their stances on life, it's a moot point. It's also something, I believe, that is going way too far. Scott Card, for instance, was boycotted and reviled for defending a position that the big majority of people in America stood for just a few months ago. Empathy goes both ways, you know. It's not sufficient to demand empathy from what appears to be over-the-top bigots shouting the most shocking things from their hilltops, one must exercise it as well and entertain the notion of a basic level of civility. Such civility would demand that people leave politics outside when one enters a room where you are going to vote for the best fiction material on its merits, for instance.

But such civilized barriers do not exist anymore. The "personal is political", which means that everything has become political. Being a good sport and accept Vox Day's "presence" despite his politics is not acceptable anymore, anything other than destroying any effect he had on the Hugos is tantamount to condoning his political views (as translated: bigotry!) and thus tainting the entire Hugos with his views! Guilt by association is such a darling nowadays.

But here's a damning paragraph from Correia (trigger warning, the guy is ****ing pissed):

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The real winner this year was Vox Day and the Rabid Puppies. Yep. You CHORFing idiots don’t seem to realize that Brad, Sarah, and I were the reasonable ones who spent most of the summer talking Vox out of having his people No Award the whole thing to burn it down, but then you did it for him. He got the best of both worlds. Oh, but now you’re going to say that Three Body Problem won, and that’s a victory for diversity! You poor deluded fools… That was Vox’s pick for best novel. That’s the one most of the Rabid Puppies voted for too.

Here’s something for you crowing imbeciles to think through, the only reason Vox didn’t have Three Body Problem on his nomination slate was that he read it a month too late. If he’d read it sooner, it would have been an RP nomination… AND THEN YOU WOULD HAVE NO AWARDED IT.

You know, the first time I skim read that thing, I thought to myself, "well at least the Hugos could reach here a consensus, a beautiful little miracle of people actually getting together and voting for actual quality, despite politics", and only then that last sentence actually made it into my brain. And I can't help but think he's 100% right on that one.
« Last Edit: August 25, 2015, 12:27:12 pm by Luis Dias »

 

Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
This seemed a very neutral piece to me, and quite informative: http://difficultrun.nathanielgivens.com/2015/08/24/lots-of-hugo-losers/

 
Re: Sad Puppies are sad, not canine.
This all reminds me all too well of all the anti Orson Scott Card shenanigan. I think the problem is due to the "world a village" syndrome. We get to know too much of everyone else nowadays. It didn't use to be like that. Thankfully, because then we wouldn't have the works of Lovecraft to enjoy, or the songs of Presley to please. Or etc.

Where did I state his politics are sacred? I stated they should be irrelevant, which is an entirely different position.

Agreed: separating art from artist is the only sensible thing to do. Lovecraft's xenophobia has no bearing on his work's aesthetic value, except when his views infect his writing. Wagner was probably an antisemite, but "Ride of the Valkyries" is still awesome. Saying that Gauss' personal character detracts from his mathematics is just silly.

 

Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
You can't talk about Tolkien's work nowadays without some obligatory comment going your way on how perhaps we should be careful in making certain remarks about what really amounts to a racist body of work, "if you think about it". Every single discussion of every classical author seemingly needs to have these sorts of caveats nowadays, as if to assure the audience that the guys doing the commentary in no way, shape or form embody those same particular excentrical beliefs or acts that are (or were) not kosher anymore (except when talking about Turing, of course).

Yeah, thanks. I actually don't think any fan of Tolkien's work is necessarily a racist, or that there is any correlation here. Or that a Charlie Chaplin fan is a pedophilia apologist in disguise. All of these things might be included in our wider body of knowledge, but are they the really juicy stuff that we should get from all these works? Is that how culture is supposed to go forward from now on? "Yeah I never actually read anything from Beale but I can tell its all crap if you think of how despicably bigoted the author is", well bloody damn.

 

Offline General Battuta

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Re: Sad Puppies are sad, not canine.
Three Body Problem wouldn't have been no awarded, because it was good.

It didn't make the ballot because the Puppies ****ed the ballot up. It made the ballot because one of the Puppy authors had the decency and fortitude to pull out.

The Puppy nominations weren't very good, quality-wise. A quick read over them demonstrates that handily. The Hugo's less diagnostic of quality than the Nebulas, in general, but the Puppy slate didn't live up to even Hugo standards.

Correia got a 'Hugo' (the Campbell's technically not a Hugo, but is voted on by the Hugo pool and presented at the same awards) nomination for Best New Author in 2011. The man has no ground to stand on. He's been treated fairly.

Scott Card and Vox Day deserve mass social censure for their political beliefs because their beliefs advocate political, physical, and sexual violence against innocents. This is morally elementary: we vote against the violent. No one remembers or values cries for civility during the fight against slavery, or the Civil Rights movement, or suffrage — they remember those tactics which achieved the necessary, human result, the upswelling of compassion and universal human respect that helped move the species forward. Card and VD have the right to shout, and in return they have the right to be shouted down. This is the exercise of basic civility, the defense of empathy against a man who has advocated rape as a basic dating technique, who denies the fundamental humanity of authors who'd have to share a room with him, and who has organized a political campaign to take over a fan voting pool in retaliation for SFWA's simple decision to respect its own terms of good conduct.

Vox Day participates in a social contract. When he breaches that contract by threatening to kill another author, he loses the right to be treated as just another author with just another voice. When a Sad Puppy supporter calls the cops and asks them to target one of the Hugo MCs, he loses the right to be treated as just another Hugo attendee. Again: morally elementary!

Democracy is an exploitable system. Some of these exploits are pervasive in American politics — gerrymandering, for instance, or disenfranchisement tactics. The Hugo voting system is vulnerable to these tactics. The Hugo voters protected those vulnerabilities by their expressed, democratic will. If voting reforms are ratified, the system will be further protected.

Vox Day aside:

People vote on works according to merit. For a long time that merit has been quality. This year, the Puppies suggested that merit had become correlated to politics. They pushed works on the ground of merit and politics. Is it any surprise the voting pool — larger than it's ever been, implicitly less cliqueish than it's ever been, for if expanding the pool enhances the effect of a clique how can it be a clique? — found that argument lacked merit? Is it any surprise that they said 'we do not want to vote on the merit AND politics of a work, we only want to vote on the merit, and we find no merit in the argument that there's a political bias?

Remember that there are political disagreements on the meaning of 'quality'. You'll find many more left-wing authors in the New Weird and the postmodern, critical styles than you will in the pulp styles. Yet even the debates on this ground have been systemically deceptive — Correia's argument that books 'used to be' apolitical is trivial, instantaneous to disprove, you only have to look at book covers from the 1970s or the 1980s, even the high Golden Age.

The Hugo voters vote on a very small, relatively inconsequential (yes, really) award that's mostly only recognized within shrinking fandom circles. This is not some grand battle in the culture war. It's closer to a town hall argument. The only point of great philosophical interest is Ghyl's — is a work's technical merit separable from its political content? The answer, of course, is sometimes. We recognize great film from Hanna Riefenstaahl, but we do not exclude the political purpose of the film when we speak of it, we are able to discuss a work in multiple ways and with a critical eye. We can look at how Lovecraft's racism and xenophobia influenced his work, and write new Lovecraftiana that challenges and examines those tendencies while also admiring his strengths. We can do the same for Tolkien, or Shelley, or Rokeya Sakkhawat Hussain.

But in a sense this year was not a good test of that: because the work pushed on political grounds was not very good. (How do we evaluate good? We have few universal standards; I think my critical sense is better than most, because I can reliably produce good fiction, and because I can observe that many readers move from certain books towards other books, but not the other way. In the end we rely on mass conversation.)

If you support voting on merit alone, this year's outcome was the best we could have hoped for.

 

Offline General Battuta

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Re: Sad Puppies are sad, not canine.
It's pretty important to remember, as a means of keeping perspective, that the Hugo Awards are a fan award. The criteria to get a Hugo Award is 'fans like you,' and this has been plain and obvious for the award's entire lifetime. We're not talking a juried award here.

 
Re: Sad Puppies are sad, not canine.
Basically I just nodded (agreed, not fell asleep) throughout Battuta's post.

They pushed works on the ground of merit and politics.

Ugh.

The only point of great philosophical interest is Ghyl's — is a work's technical merit separable from its political content? The answer, of course, is sometimes. We recognize great film from Hanna Riefenstaahl, but we do not exclude the political purpose of the film when we speak of it, we are able to discuss a work in multiple ways and with a critical eye. We can look at how Lovecraft's racism and xenophobia influenced his work, and write new Lovecraftiana that challenges and examines those tendencies while also admiring his strengths. We can do the same for Tolkien, or Shelley, or Rokeya Sakkhawat Hussain.

I agree completely, though I think we should always separate art from artist, aesthetically speaking.

But in a sense this year was not a good test of that: because the work pushed on political grounds was not very good.

... that's not at all surprising.

  

Offline Luis Dias

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Re: Sad Puppies are sad, not canine.
@Joshua: That is a question that I couldn't care less. I haven't read his body of work, nor am I interested. It's also something that it is not for me to decide.


Three Body Problem wouldn't have been no awarded, because it was good.

It didn't make the ballot because the Puppies ****ed the ballot up. It made the ballot because one of the Puppy authors had the decency and fortitude to pull out.

Well, I'm glad you are so sure of it. I'm not as sure of it, because it happened in almost every single other instance of this except for the Guardians. Counterfactuals are ... problematic.

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The Puppy nominations weren't very good, quality-wise. A quick read over them demonstrates that handily. The Hugo's less diagnostic of quality than the Nebulas, in general, but the Puppy slate didn't live up to even Hugo standards.

Correia got a 'Hugo' (the Campbell's technically not a Hugo, but is voted on by the Hugo pool and presented at the same awards) nomination for Best New Author in 2011. The man has no ground to stand on. He's been treated fairly.

Again, I'm glad you can make such a judgement on what's fair or not. I'm sorry, I have the utmost respect for you, but can you really answer in the name of Fairness with a capital F and "having grounds to stand on"? What is fair? Perhaps Correia will think that seeing three people getting 39 Hugo awards isn't that "fair" at all, in comparison. Perhaps you disagree. Nowhere here do I see the "grounds" to declare by fiat that people should then shut up about their perceived grievances, that they 'got their share, so be quiet already'.

I will also accept that the pool was probably poorly chosen. Many claims from diverse venues to that effect testify for that truth, and thus it seems more than plausible.

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Scott Card and Vox Day deserve mass social censure for their political beliefs because their beliefs advocate political, physical, and sexual violence against innocents. This is morally elementary: we vote against the violent. No one remembers or values cries for civility during the fight against slavery, or the Civil Rights movement, or suffrage — they remember those tactics which achieved the necessary, human result, the upswelling of compassion and universal human respect that helped move the species forward. Card and VD have the right to shout, and in return they have the right to be shouted down. This is the exercise of basic civility, the defense of empathy against a man who has advocated rape as a basic dating technique, who denies the fundamental humanity of authors who'd have to share a room with him, and who has organized a political campaign to take over a fan voting pool in retaliation for SFWA's simple decision to respect its own terms of good conduct.

Determining who is innocent or who isn't is not an easy task. It only seems so in retrospect and with lots of colored glasses, and that bias makes us look foolishly condescending towards our ancestors. To determine this, we *do* require a battle of ideas. This seems to me not just inevitable, but necessary. And it also strikes me that Conservative viewpoints have a moral duty to exist and be defended. Every new idea must be subject to scrutiny, moral, philosophical, empirical. And for that, you need people to engage in it. Scott Card is extremely conservative. He believes that homossexuality is a sin, that it is not a civilized activity, that it should be tamed and prevented. That society should not condone it. I fail to see here any inherent hatred, but rather commitment to one's beliefs. If one loves their country, their fellow friends and civilization in general, he will try to defend it from, amongst other things, bad ideas and bad values.

That Scott got it amazingly wrong is a statement of history. That he should be fought politically, a moot point. That he lost, a pleasure and a relief to know.

However, in everything about this, the work should remain untarnished. His persona should remain untarnished. There's a level of social derision and fundamental witch hunting that degrades the very fabrics of civilized discussions and conversations that allowed these frontiers to be fought and won in the past.

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Vox Day participates in a social contract. When he breaches that contract by threatening to kill another author, he loses the right to be treated as just another author with just another voice. When a Sad Puppy supporter calls the cops and asks them to target one of the Hugo MCs, he loses the right to be treated as just another Hugo attendee. Again: morally elementary!

I don't have the details with me. That isn't just elementary, it seems basic duty of any institution. By "accepting Vox Day", I was speaking in wider, symbolic terms.

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People vote on works according to merit. For a long time that merit has been quality. This year, the Puppies suggested that merit had become correlated to politics. They pushed works on the ground of merit and politics. Is it any surprise the voting pool — larger than it's ever been, implicitly less cliqueish than it's ever been, for if expanding the pool enhances the effect of a clique how can it be a clique? — found that argument lacked merit? Is it any surprise that they said 'we do not want to vote on the merit AND politics of a work, we only want to vote on the merit, and we find no merit in the argument that there's a political bias?

Remember that there are political disagreements on the meaning of 'quality'. You'll find many more left-wing authors in the New Weird and the postmodern, critical styles than you will in the pulp styles. Yet even the debates on this ground have been systemically deceptive — Correia's argument that books 'used to be' apolitical is trivial, instantaneous to disprove, you only have to look at book covers from the 1970s or the 1980s, even the high Golden Age.

Two things to state here. First, they have their own theories and datas to back their theories about whether if the Hugos were being hoarded or not. You disagree, that's fine with me. I'm not convinced that the smoke didn't signal a fire. The second is something more general, and it's a pattern that I see everywhere. The Left (that resides in all of us?) always sees an inherent oppression within the system itself, that the status quo is Wrong, and therefore a revolution must cleanse it. All its statements, reasonings and judgements stem from these basic principles. The Right doesn't necessarily disagree with this statement, but what it points out is that the revolutionaries are destroying the little civilization we had left with a lack of honor, thuggery, coercion, terror, and eschewing every single decent protocol we "had in place" in order to maintain our society within civilized levels of behavior.

All these assymetric concerns are alive and well in this kerfuffle. I agree with you that the "Status Quo" was already political. But then let's drop the pretense that the awards were not political, and that there weren't battles and agendas being fought in here for a good while now. What the Left does in an extremely competent way is to determine that their own agendas are the Moral Good, and thus to fight them, anyone is automatically deemed as Immoral, as a "Violent" person commiting despicable acts "against the Innocent". There's a religious moral aspect to this that I won't go into, but the way the Puppies were labeled and insulted not only from anonymous sympathizers with Scalzi and co., but more to the point, by the wider media, Tor editors and a lot of other "influential" people really inforced the notion that the Left will do anything in the name of the "Moral Good", whatever it is that it decided today to be.

You italicize the fact that some random anonymous supporter tried to SWAT their enemies, forgetting or disavowing the fact that lots of Puppies themselves were also the target of threats of all sorts, shunnings, dogpiles, lies and defamations, etc. Correia is frothing at his mouth against a "clique" of sorts? Well, he's a mysoginist, even a racist. Let's make all sorts of **** up and print this in all news outlets, it's not as if anyone of importance will cry foul.

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If you support voting on merit alone, this year's outcome was the best we could have hoped for.

Others are saying that Toni should definitely have gotten the award, but I couldn't tell.

 

Offline General Battuta

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Re: Sad Puppies are sad, not canine.
I don't know anything about the editorial side, and in fact I have a kind of professional obligation to not speak about it.