On topic:
Goober are you seriously, seriously saying that John C. Wright should be nominated for or have the potential to receive an award of any kind despite his public declaration that black people aren't socially evolved enough to have developed a real society (among many other, equally or even more heinous things)?
What the ****, man.
Of course he should be nominated. Hugo awards should be apolitical, the work should be judged solely on its literary merit. Not by political views of the author. It should not matter whether the author is a white supremacist, black supremacist, anti-womens rights, radical feminist, far right activist, bigot, communist, anarchist or islamic fundamentalist.. if she writes great stories, then thats all that should matter.
This is an excellent summary of my stance on this.
In principle, I have no issue with voting on merit alone, judging the work independent from the author. It's a good, useful stance.
But let me introduce you to a bit of a dilemma I recently encountered. Have you heard of Benjanun Sriduangkaew? She was one of 2012's big revelations, a young, female, lesbian author from Thailand who wrote stunning short fiction. She was a progressive SF's poster child, an aggressive and loud voice on social issues and a highly skilled writer, culminating in her being nominated for the John Campbell award for best new writer (Which is one of the Hugo awards) in 2014.
But that's not all she was. Under several pseudonyms, she was also an intensely toxic part of SFF fandom. She was trolling, manipulating, deceiving and has, together with the substantial following she gathered, driven other people out of fandom, and writing. There's a comprehensive report about her and her activities
here.
Now, does that change her writing? Does this make
Chang'e Dashes from the Moon worse? Of course it doesn't. But it does raise the question whether an individual like Sriduangkaew is someone we want to be honored or validated through awards. Whether we're willing to accept the toxic influence she, or someone like her, brings to the table in addition to her literary achievements. Personally, knowing what I now know, I cannot in good conscience recommend her work, even if it is good. The same mechanism is true for people like John C. Wright and Vox Day: I cannot disassociate their creative works and the rather toxic stuff they say and do elsewhere. These are not people I want to have as ambassadors for SF/F, as representatives of the best the field can do in this particular year.